Introducing NUKE 9: The biggest evolution in NUKE’s history
Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology,...
Adobe ‘Gone Girl’ panel: Premiere & After Effects
You can view Adobe's panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
One Light Corporate Image
In today’s lesson, I am shooting a corporate image of someone in a call center. I have done these...
Small LEDs Create BIG Panels
The new series of Phottix LED lights are small, affordable LED lights for small crews – and here I...
PVC at AES 2014 – Exclusive Info About the DR-60D from Tascam
Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional...
4K is Obsolete. 5K is Here, 8K Comes Tomorrow
A selection of 4K Monitors at low prices was recently published here at PVC – 4K Monitors Under $850...
Editors Discuss the Business Side of Being Creative
The Editors' Panel Series returns with another knockout installment! Join moderator Debra Kaufman and editors Richard Halsey, Tina Hirsch,...
Distributed Databases: Tech Disruption That is Going to Give Media Producers a New Edge
The Fellini film 8½ is perhaps one of the best films about the anxiety and creative crisis of making...
Behind the Workflow and Post-Production Process of Gone Girl
David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s...
4 Easy Steps to Transmedia Screenwriting
Let’s say you’re a film student or filmmaker and you’re interested in telling a story that will stay with...
