Exploring Workflow, Storage & Archive in M&E: Changing Scales and Perspectives
With the relaunch of ProVideo Coalition this year, we rolled DAM Coalition into a channel on PVC that focuses...
Flicker removal in Creative Cloud and beyond
Although flicker has had its uses in experimental film, in video flicker can induce epileptic seizures – although it’s mainly just annoying. Removing flicker...
AJA will lend you its 4K/UltraHD/2K/HD CION camera
At NAB in Las Vegas, AJA announced that it will lend its controversial 4K/UltraHD/2K/HD CION camera to qualifying applicants,...
Review: The New Canon EF 100-400mm for Flowers and Bees
For 16 years Canon kept people waiting for their new 100-400mm lens. There is an explanation for the long...
EditorsKeys – Backlit Editing Keyboards
Many editors want customized “Editing” keyboards for their edit suites. Why not take it to the next level with...
Why Not #TryCION?
NAB 2015 just wrapped up and even though AJA rolled out some relevant news and updates, it was the...
3D Text Environments in Motion
On this week’s Motion Magic, I show you how to combine the new 3D text capabilities of both Final...
After Effects Hidden Gems Weekly: Tracking with Nulls
Motion tracking in Adobe After Effects is usually about making a new layer follow the movement of a target...
Playing Out the Creative Process
Gary Yost is no stranger to PVC, as he detailed what went into making “The Invisible Peak” last year...
Refined Zeiss Lenses for Sony α A-mount
Sony announced the launch of refined versions of ZEISS Vario-Sonnar T* standard and wide angle zooms for their α...
