Things you didn’t know about color matching lenses
Lens color hasn’t been on my radar until recently. I didn’t know how much I didn’t know until I...
After Effects Hidden Gems Weekly: Automatic Fades
As we’ve said many times, After Effects is not an NLE – but often, it’s easier to keep everything...
A digest of last week’s photo and video news – Week 45
A digest of last week news is a selection of some of the news from week 44 related to...
Defining and customizing your production-to-post workflow with Catalyst Prepare and Catalyst Edit
The way in which technology has and continues to change how film and TV professionals work is a topic...
LumoPro flash with Phottix Odin receiver
The new Lumopro LP180R is, in fact, mostly the old LP180 from 2013, a manual flash with a single...
Long Term Test continues: Dell Precision M3800 – software, OS (and Thunderbolt)
On the last installment of this Long Term Test of the Dell Precision M3800 we looked mainly at the...
Glitches, damage, flickers, & distortions in After Effects & Premiere Pro
Glitchify for After Effects + Glitchify sounds, from Mikey Borup and Cinema Spice, joins a growing number of tools...
Art of the Cut with Joe Walker on “Sicario”
This is a deep-dive of “Art of the Cut” editing wisdom from Joe Walker. I first spoke to Joe...
A free guide to flash terminology
Ambient light is great, but sometimes a flash is the only way to achieve the result a photographer wants....
Wipster says goodbye to traditional pricing structure
We’ve showcased how many review and approval options are available for video pros, but Wipster’s solution is one that...
