NVIDIA GeForce RTX 50 Series Brings AI & 4:2:2 to Premiere Pro
Now’s the time to elevate your color grading. Adobe Premiere Pro now supports NVIDIA GPU acceleration for 4:2:2 video...
Tool Tip Tuesday for Adobe Premiere Pro: Steal Auto Reframe’s Motion Analysis for Pan and Scan
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I love using oversized footage in your timeline, such...
Compact FUJIFILM X-E5 shoots in 6.2K/30P resolution
With an electronic viewfinder that displays key information at the bottom of the frame, like traditional film cameras, the...
Video news from Apple’s WWDC
Apple’s yearly developer conference, WWDC, is usually seen as Apple’s opportunity to preview new features of their operating systems....
PVC at Cine Gear 2025: New Mounting Pin Provides Mantis with Enhanced Camera Stabilizer Capabilities
The Blackbird Mantis was a standout at Cine Gear last year, paving the way for some exciting updates in...
PVC at Cine Gear 2025: The Sony FX2 is the Ultimate Hybrid Camera for Modern Creators
The highly anticipated Sony FX2, a groundbreaking addition to Sony’s esteemed FX line, recently took center stage at Cine...
PVC at Cine Gear 2025: Sirui Iron Star Redefines Accessible Anamorphic Cinema
Sirui has firmly established a unique position and powerful within the anamorphic lens market. It’s something they showed in...
PVC at Cine Gear 2025: The Pixel Cube Sets New Standard for DIT Workflows and Needs
At Cine Gear 2025, we took a close look at the Pixel Cube, which offers an incredible solution for...
PVC at Cine Gear: A Look at Three Standout Tripods from Miller Tripods
For professional filmmakers and videographers, the stability and adaptability of their camera support systems are paramount. Miller Tripods offers...
PVC at Cine Gear: LEE Filters Powers Showcases Expanded Offerings and Unrivaled Quality
From expanded accessibility in lighting gels to groundbreaking cinema filters and versatile photographic solutions, LEE Filters is solidifying its...
