Canon XC15 with Dual XLR inputs and 24p
The Canon XC15 4K (UHD) and Full HD video camcorder with stills capability, aimed at content creators such as...
Canon EOS C700 with Global Shutter
Dual Pixel CMOS AF or Global Shutter, 15 stops dynamic range, recording high bitrate 4K files internally, supporting both...
28 Days of Cinematography Insights Redux – Day 31 – Overthinking your job
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Cooke to offer interchangeable mounts for miniS4/i lenses
Cooke Optics has announced that they will soon offer multiple mounts for the miniS4/i cinema primes. Mounts will include Canon EF,...
Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 2
In this lesson, Kevin P McAuliffe wraps up his look at Motion Effects by talking, first, about a common...
28 Days of Cinematography Insights Redux – Day 30 – White balancing to an odd light source
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Explore the EOS 5D Mark IV video functions
If you’re a photographer interested in the video functions the EOS 5D Mark IV offers, take 15 minutes of...
28 Days of Cinematography Insights Redux – Day 29 – Manually white balancing a camera to a light source
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Kodak’s Shoot Film Workshop
In a dark abandoned home, the late afternoon sunlight broke up the darkness inside and lit up the copious...
EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors
Michael Tronick, ACE, is a motion picture editor in every sense, but his experience as a music editor has...
