READ ALONG WITH THE OSCARS
Trying to figure who’s going to win Best Editing? Check out these interviews with the editors themselves. Baby Driver...
All the #28daysofQuickTips 2018 in one place
February was a busy month as the Editblog posted a QuickTip a day for the entire month. Some were Adobe...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Traditional camcorders in the era of mirrorless/HDSLR cams
Mirrorless and HDSLR cameras get most of the press attention nowadays. However, there are still many content producers who...
6 Below – the first 6K natively-edited feature film
Vashi Nedomansky edited the film “6 Below: Miracle on the Mountain” which is the first feature film edited natively...
Dell XPS 15 vs MacBook Pro: Adventures in User Experience
The Dell XPS 15 is usually the PC compared to MacBook Pro 15” and for good reason — it’s...
Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Review: the Agua Stormproof Versa backpack
Announced last August, through an Indiegogo campaign, the Agua Stormproof Versa Backpack is an intelligent choice if you spend...
Creating the Pleasantville Look in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how to create the “Pleasantville” or “Sin City”...
Day 28 #28daysofQuickTips 2018 – Show Channel Volume in the Adobe Premiere Pro Clip Mixer
Today’s QuickTip is one of those I can’t believe I’ve never discovered that QuickTips. Whenever I learn something from...
