Other New Features in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training something new in Motion. When Final Cut...
Faster, Together Kickoff – NAB 2018
The Setup At NAB in Las Vegas, the team from LumaForge set up two rooms in the back of...
NAB 2018 – An interview with the post-production team behind The Florida Project
When I saw a list of Premiere Pro related people that Adobe was brining to NAB 2018 my first...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
NAB 2018: ARRI Shows Off Largest and Brightest SkyPanel with the S360
This is one big light source was my first thought. At NAB 2018 the ARRI SkyPanel quite literally lite...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
Improving audiograms in 2018 with SpareMin
Back in July 2017, I published a review of Auphonic’s audiogram service, which creates visual animation over a still...
Let’s Edit with Media Composer – Start right, Finish right!
In this lesson, Kevin P McAuliffe talks about Projects, and the most important thing to keep in mind when...
ART OF THE CUT with Avengers – Infinity War editor, Jeffrey Ford, ACE
Jeffrey Ford, ACE has been working in the Marvel Universe for several years. His previous projects include: Doctor Strange...
The Reality of Unscripted Television Editing
To watch the webinar that accompanies this article and talks through many of the topics laid out here in...
