Prolycht Orion 300 FS sets new standards for your LED’s
In the pre-pandemic years, lighting fixtures for film and video production all seemed to all take on innovative attributes...
Mo-Sys: using Virtual Production to film a plane in a hangar
When creative production agency Papertown imagined an ambitious virtual production project featuring a passenger plane in a hangar, they...
Loupedeck Live and Avid Media Composer
I’ve made no secret that I am a huge fan of the Loupedeck CT. So much so it took...
Cleanfeed enriches remote multitrack with Aux Outputs
For several years, I have been using and covering Cleanfeed as my preferred tool to carry out studio quality...
REVIEW: Dehancer Film Emulation Plugin
Camera technology is getting better and better; 6K, 120fps, Full Frame, HDR capable, “Netflix Approved” cameras are almost standard...
Filmmakers test Unreal Engine’s in‑camera VFX toolset
Recently, Epic Games and filmmakers’ collective Bullitt assembled a team to test out the latest in-camera VFX toolset in Unreal Engine. A...
An Art of the Frame interview with editors of LEGO MASTERS
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO...
Adobe video July release: Speech to Text + Native M1 in Premiere Pro, Speculative Preview beta for After Effects
The Adobe video July 2021 release has been sprung, featuring major enhancements in Speech to Text plus Native M1...
Uploading to YouTube – is 4K worth it?
You’ve spent months editing and grading and finishing your beloved video. But now you have to upload it to...
From Markers to YouTube Video Chapters with Adobe Premiere Pro
Video Markers are the best thing that’s happened to YT as a viewer since…well, ever. It means giving your...
